![]() The vibe, the fashion, the flow, the fun - how does today’s hip-hop compare or complement the ‘90s scene? Okayplayer:: What are your thoughts on how hip-hop music as a cultural art form has evolved since you were doing your thing in the ‘90s. READ: Beverly Bond Is On A Mission To Make A Difference Holland has also written scores and original music for film and TV ( Drumline, Step Up 1 & 2, Stomp the Yard, Freedom Writers, The Comebacks, Coach Carter, and Fantastic Four) as well as scored all the music for his own episode of TV One’s Unsung in 2016. Blige, Christina Aguilera and LL Cool J, and earned co-writing and co-producing success in 2005 with Tweet‘s “Turn da Lights Off” and Will Smith‘s “Switch”. ![]() His success as a producer has also been significant - he’s worked with the likes of Missy Elliott, Keyshia Cole, Mary J. Holland went on to release three more albums - A Day in the Life: a Pokadelick Adventure (featuring the hit singles “Oneovdabigboiz” and “Ownlee Eue), Nastee, and Incognito - before making the transition from artist to producer. With his high-top fade, statement-making cane and signature polka dots, Holland made a mark on the musical landscape that has earned him a place in the history of the genre and the culture. Kwame the Boy Genius featuring a New Beginning was released in 1989, and at age 16 Holland found himself among rap’s royalty. Once the album was completed, Holland shared it with Hurby and he liked it so much that he took it over to Atlantic Records and got Holland a record deal.
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